
Unlearning the Book - Dhaka | Bangladesh
Unlearning the Book is a multidisciplinary art project emerging from an experimental artistic inquiry that rethinks the idea of the book through up cycled textile and socio-cultural storytelling. The Bangladeshi chapter of the project is supported by Alliance Française de Dhaka and organized in collaboration with Uronto Artist Community and Art Initiative Bangladesh.
The project culminated as an interactive exhibition bringing together 27 Bangladeshi artists from diverse disciplines and practices, the project explores how narratives can exist beyond the familiar bound and paper-based structure of books.
The exhibition is curated by Fahea Zeba and Sadya Mizan. The inaugural ceremony was held in the presence of Mr. Frédéric Inza, Deputy Head of Mission at the Embassy of France in Dhaka, M. François Chambraud, Director of Alliance Française de Dhaka, and Zareen Mahmud Hosein, Founder and Executive Director of HerStory Foundation, alongside artists, cultural practitioners, and visitors.
The project began through an intensive peer-learning workshop and brainstorming process, where artists collectively questioned the linear and institutionalized structure of the book. Revisiting the material histories of books and oral or performative storytelling. Within this process, up cycled and other various textile emerged as a central material language in reconstructing the idea of the book.
The works presented in the exhibition embody experimental book forms that hold personal stories, cultural memories, heritage narratives, and reflections on contemporary social realities. Rather than presenting a conventional gallery display, the exhibition space is transformed into a storytelling room, inviting visitors to sit, spend time with the works, and explore unconventional books through tactile engagement and material presence.
The exhibition also includes interactive areas where visitors can share their own memories and stories, contributing to an evolving collective narrative. Throughout the exhibition period, the venue hosts interactive workshops, story-reading sessions, tarot reading experiences, and creative engagements, inviting audiences to actively participate in the process of questioning and reimagining the book, upcycling and storytelling.
Participating Artists:
Abrar Shadman, Ahsana Angona, Alia Kamal, Esha Ahmed, Faiza Fairooz, Farah Naz Moon, Farhana Ferdausi, Fouzia Mahin Choudhury, Hridita Anisha, Jayatu Chakma, Jinnatun Jannat, Kazmin Samia, Lekh Nesa Khatun, Mahadi Masud, Mahmuda Siddika, Marzia Bentee Rahman, Nazm Anwr, Nazmul Hossen Nayon, Nodi Judith Gomes, Nur A Alaa Siddique, Papia Sarwar, Rafia Mahjabeen, Rituparna Saha, Rokeya Sultana, Tahmina Hafiz Lisa, Toufikul Islam, Venessa Kaiser.
Exhibition Details
Venue: Alliance Française de Dhaka, Gulshan
Exhibition Duration: 10–20 March 2026
Visiting Hours: Monday–Saturday, 11 AM – 8 PM











































Curatorial Note
Unlearning the Book began as a shared curiosity: what might happen if storytelling, the up-cycling of textile, and the idea of the book were brought together in a single creative process? Rather than treating the book as a fixed object, we approached it as a familiar form that could be gently questioned, unfolded, and reimagined. The project was also inspired by the ancient material histories of books, when stories travelled through palm leaves, cloth, memory, and voice, long before the book became a standardised printed object.
The participating artists come from diverse practices and experiences. Some have long worked with textile, while others encountered the material in this project for the first time. Similarly, some artists embraced the idea of “unlearning the book” easily, while others found it challenging. This diversity of responses is not a limitation but an essential part of the process. Unlearning cannot happen in a single moment; it is gradual, layered, and often incomplete. The intention here is not to replace the book, but to expand the ways we understand and engage with it.
Our curatorial collaboration also reflects a generational exchange and friendship to ensure a place of shared interest in creating platform for experimentation, dialogue, and collective learning and unlearning. As curators we were unlearning many things ourselves and learning from each other too.
Through mutual exchange and material exploration, artists were encouraged to rethink not only the form of the book, but also the possibilities of textile up-cycling, storytelling, and creative solidarity.
Unlearning the Book is not a conclusion but an invitation imagine, question, and continue the process of learning together, story telling and questioning the obvious to explore the unknown.
- - Fareha Zeba and Sadya Mizan
Curators

Fareha Zeba
ফারিহা জেবা
She/ Her

Sadya Mizan
সাদিয়া মিজান
She/Her
Works Produced

What Remains
Fouzia Mahin Choudhury
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Fix your face | চেহারা ঠিক কর: Persona In Pieces”
Venessa Kaiser
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The tale of Bonbibi
Toufikul Islam
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Benarasi
Tahmima Hafiz Liza
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Bonbibi
Rokeya Sultana
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Tati (weaver)
Rafia Mahjabeen and Rituparna Saha
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Quiet dialogues
Papia Sarwar
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Archive of a Shadowless Park
Nur A Alaa Siddique
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The Wanderer
Nodi Judith Gomes
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Inheritance of Living
Nazmul Hossen Nayon
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Kindness of forrest / অরন্যের দয়া (Aronner Doya)
Nazm Anwr
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Stitched Shut
Marzia Bentee Rahman
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Leaf & Lore
Mahmuda Siddika
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The Present and Absent
Mahadi Masud
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Woven Stories of Jamdani
Lekh Nesa Khatun.
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Boro Ma (great-grandmother) and Behula: Reminiscing Whispered Inheritance
Kazmin Samia
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The drops of grief
Jinnatun jannat
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Great Migration (Bor- porong, মহাপ্রস্থান)
Jayatu Chakma
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A moment to Pause | থেমে থাকা সময়
Farah Naz Moon
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Dhulu
Hridita Anisha and Faiza Fairooz
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Poa-Baro
Fouzia Mahin Choudhury
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Bloom3, Mariam Flower / Buti Historical–Mythical Reference
Farhana Ferdausi
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Value Folded in Memory
Esha Ahmed
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The Story of Sharkar:
Alia Kamal
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Little Steps
Ahsana Angona and Ayomoy Aronno
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An Armour of Threads
Abrar Shadman
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Mar 14, 2026
Chader Buri Nakshi Kantha Story Reading
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Mar 14, 2026
Story Reading Sessions
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Mar 14, 2026
Play with Textile
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Mar 13, 2026
Unlearning the Pigment
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Mar 10, 2026
Tarot Reading
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Feb 20, 2026
Peer Learning Workshop- Dhaka
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Participating Artists

Abrar Shadman
আবরার সাদমান
He/Him/They/Them
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Ahsana Angona
আহ্সানা অঙ্গনা
She/Her
Alexandra-Lucia Roșu
She/Her
Alexandru Petrila
He/Him

Alia Kamal
আলিয়া কামাল
She/Her
Ana-Maria Furcoi
She/Her
Andreea Barnea
She/Her
Andreea Creţu
She/Her
Bianca Cosma
She/Her
Billy
Bișog Tatiana
She/Her
Cezar Lăzărescu
He/Him
Ciomaga Iulia
She/Her
Coțofană Andreea-Alexandra
She/Her
Crina-Miruna Cărăbuș
She/Her
Dan-Mihail Acostioaei
He/Him
Daria Frozinschi
She/Her
Dumitriţa Gurău
She/Her
Ella Maillard
She/Her

Esha Ahmed
এশা আহমেদ
She/Her

Faiza Fairooz
ফাইজা ফাইরুজ
She/Her

Farah Naz Moon
ফারাহ নাজ মুন
She/Her

Farhana Ferdausi
ফারহানা ফেরদৌসী
She/Her

Fouzia Mahin Choudhury
ফৌজিয়া মাহিন চৌধুরী
She/Her

Hridita Anisha
হৃদিতা আনিশ
She/Her
Ioana Palamar
She/Her

Jayatu Chakma
জয়তু চাকমা
He/Him

Jinnatun Jannat
জিন্নাতুন জান্নাত
She/Her

Kazmin Samia
কাজমিন সামিয়া
She/Her
Laura-Ioana Pruteanu
She/Her

Lekh Nesa Khatun
লেখ নেছা খাতুন
She/Her
Luchian Petruța Iulia
She/Her

Mahadi Masud
মেহেদী মাসুদ
He/Him

Mahmuda Siddika
মাহমুদা সিদ্দিকা
She/Her
Manuela Andrei
She/Her

Marzia Bentee Rahman
মারজিয়া বিনতে রহমান
She/Her
Mateea-Angelica Enache
She/Her

Nazm Anwr
নাজেম আনোয়ার
He/Him

Nazmul Hossen Nayon
নাজমুল হোসেন নয়ন
He/Him

Nodi Judith Gomes
নদী জুডিথ গমেজ
She/Her

Nur A Alaa Siddique
নুর এ আলা সিদ্দিক
He/Him
Oana Florescu
She/Her
Oana Toderică
She/Her

Papia Sarwar
পাপিয়া সারওয়ার
She/Her

Rafia Mahjabeen
রাফিয়া মাহজাবীন
She/Her

Rituparna Saha
ঋতুপর্ণা সাহা
She/Her

Rokeya Sultana
রোকেয়া সুলতানা
She/Her
Sofia Dominoschi
She/Her

Tahmina Hafiz Lisa
তাহমিনা হাফিজ লিসা
She/Her
Teodora Prodan
She/Her

Toufikul Islam
তৌফিকুল ইসলাম ইমন
He/Him
Tudor Pătraşcu
He/Him

Venessa Kaiser
ভেনেসা কায়সার
She/Her
Zgherea Bianca Maria
She/Her
Press & Coverage

‘Unlearning the Book’: When stories escape the page
The Daily Star
In an art world often dominated by digital screens, these textile based books demand a slower kind of attention. They ask us not only to look but to touch, to unfold, and to listen to the stories held within their fibers. “Unlearning the Book” demonstrates that when we strip away the modern, rigid definition of a book, what remains is a profound vessel for heritage, protest, memory, and care.

Experimental exhibition ‘Unlearning the Book’ opens at AFD
Daily Timez
Rather than presenting works in a conventional gallery format, the exhibition space has been transformed into an interactive storytelling environment. Visitors are encouraged to sit, explore the unconventional book forms and spend time engaging with the layered narratives embedded in textile and material experiments, according to AFD.

“‘Unlearning the Book’ exhibition at Alliance Française challenges conventional ideas of the book.”
Khaborer Kagoj
Challenging the conventional idea of the book as merely a collection of paper and ink, an experimental art exhibition has opened at Alliance Française de Dhaka in the capital. Titled ‘Unlearning the Book’, this group exhibition brings together 27 young artists who seek to rediscover and redefine what a book can be.